Were You There That Christmas Night Easy Music Sheet Download



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Were You There On That Christmas Night?

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Arranged by Lloyd Larson. Musicals, Collection. Christmas, Sacred. Choral score. 78 pages. Hope Publishing Company #8734. Published by Hope Publishing Company (HP.8734).

Videos :

Composer/Artist : Lloyd Larson
Instrumentation :

Choral 3-part

Sub-instrumentation :

SAB, Piano


Publisher :

Hope Publishing Company



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From Lloyd Larson, here is a new Christmas musical built around Natalie Sleeth's popular anthem, "Were You There on That Christmas Night?" Both traditional and contemporary songs are included like: "Sing We Now of Christmas," "All Is Well," "Welcome to Our World," and "Glory to the Newborn King!" Readings for two narrators appear between the eight choral pieces and tell the Christmas story. Performance time is 30 minutes. The orchestration by Ed Hogan contains a Conductor's Score and parts for: Flute, Oboe (Soprano Sax or Clarinet), Clarinet, Bassoon (Bass Clarinet), Horn (Clarinet), 2 Trumpets, 2 Trombones (Baritone T.C.), Percussion 1 and 2, Piano, Harp, 2 Violins, Viola, Cello, String Reduction. The Voice-Dominant Rehearsal CDs (a set of 2) consists of one CD for Soprano and Alto parts, the other for Tenor and Bass parts. The CDs are reproducible for your choir members.A Great Light
Bethlehem
Never Been a Night Like This!
All Is Well
Sing We Now of Christmas
Welcome To Our World
Were You There on That Christmas Night?
Glory to the New Born King!

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Lloyd Larson sheet music

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Universal Edition

For Children's Choir and Piano . Par PART ARVO. �I went to nursery school every �(+)

For Children's Choir and Piano . Par PART ARVO. �I went to nursery school every day until the end of secondary school!� Arvo P�rt says and pauses, staring slyly at his listener. �My mother worked at a nursery school in Rakvere, and I always went to visit her after my lessons.� There, the future composer often sat at the piano and played or improvised for his little friends. Arvo P�rt is a composer best known for his 'tintinnabuli' compositions. It is a lesser-known fact that in his earlier years as a composer, he also wrote children's songs and piano pieces along with music for plays and animated films. This volume, 'Songs from Childhood', contains a selection of Arvo P�rt's music for children from the period 1956-1970. In those years he was involved with several children's studios and theatres as the piano accompanist and composer. Most of his music for children came about by way of improvisation in rehearsals and was only later completed and put on paper. These pieces therefore retain all the spontaneity and playful spirit in which they were created. 'Songs from Childhood' includes a CD of the same name, providing recordings of the songs with new and colourful instrumental accompaniments in the roiginal Estonian language for your enjoyment. These new accompaniments, which are also included as backing tracks on the CD, were arranged by the composer Tauno Aints in collaboration with Arvo P�rt. The sheet music of these arrangements is available on hire. The piano version doubles as a piano reduction. � 15 selected pieces for children�s choir and piano written with all the spontaneity and playful spirit typical of Arvo P�rt�s music for children � Includes a CD with full and sing-along versions of the songs � The recordings of the songs are in Estonian with new and colourful instrumental accompaniments by Tauno Aints in collaboration with Arvo P�rt/ R�pertoire / Choeur d'Enfants et Piano

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The Choral Collection
Choral SATB
SATB, Organ [Sheet music]
Chester

Par WHITBOURN JAMES. This glorious collection of beautiful choral music by compo�(+)

Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue

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Carols For Choirs 1: SATB: Vocal Score
Choral SATB [Vocal Score] - Intermediate/advanced
Oxford University Press

Fifty Christmas Carols-The volumes of Carols For Choirs have established themsel�(+)

Fifty Christmas Carols-The volumes of Carols For Choirs have established themselves as the quintessential carol books for carol-singers around the world.Carols For Choirs 1 includes 50 varied carols for every occasion including newly-arranged classics as well as original compositions written specially for this compilation.

17.50 GBP - Sold by Musicroom UK

Just Standards Real Book (C edition)
Instruments en Do / C [Sheet music]
Alfred Publishing

The Just Standards Real Book contains 250 classic songs, from show tunes to jazz�(+)

The Just Standards Real Book contains 250 classic songs, from show tunes to jazz standards, that are the core required repertoire for musicians all over the world. Production teams in both the U.S. and the U.K. took great care to ensure the accuracy and usability of each arrangement and original composer sources were consulted to ensure that the arrangements remained true to the composers' intentions. Plus, useful and important chord substitutions are indicated for each arrangement, allowing the user to pick from the original chords or the more popular jazz versions. Each book in the series is extensively cross-referenced with a complete composer index, discography of suggested recorded versions for each song, a section on how to play from a fakebook, chord theory reference pages, and a section on how to create interesting chord substitutions. Comb bound, approx. 400 pages. / Instrumental Music, Miscellaneous, Scores, Songboo / Recueil / Instruments en Do / C

34.18 EUR - Sold by LMI-partitions
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Complete Chord Songbook
Lyrics and Chords [Sheet music] - Easy
Novello & Co Ltd.

Par BEATLES THE. A fantastic and stupendous volume for fans of popular music and�(+)

Par BEATLES THE. A fantastic and stupendous volume for fans of popular music and the Beatles! This comprehensive volume contains all and every one of the 194 songs that were written and sung by the Beatles during their prolific and productive career. Specially arranged in the original keys by Rikky Rooksby from the actual recordings, each song includes chord symbols, guitar chord boxes and complete lyrics and the band's full discography is also featured. / Niveau : Assez Facile / R�p International / Recueil / Chant et Guitare

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Piano Treasury Of Hymns Cd
Piano, Voice [Sheet music + CD] - Intermediate
Amsco Wise Publications

The Piano Treasury of Hymns is designed to be the cornerstone of your personal m�(+)

The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

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America S All-time Favorite Songs For God And Country - Piano Solo
Piano solo [Sheet music]
Amsco Wise Publications

Description Nowhere else will you find gathered together into one priceless t�(+)

Description Nowhere else will you find gathered together into one priceless treasury so many of your favourite American folk songs, patriotic anthems and marches, heart songs, sea chanteys, colonial songs, civil war songs, hymns, gospel songs, spirituals, Christmas carols, memorial songs, and sacred classics. This comprehensive volume includes over 175 full Piano arrangements with complete lyrics and chord symbols, and is illustrated with woodcuts, engravings and drawings throughout. Songlist A Life On The Ocean Wave [Russel, Henry] A Mighty Fortress Is Our God [Luther, Martin] Abide With Me [Monk, William Henry] Across The Wide Missouri Agnus Dei [Bizet, Georges] Alabama [Gockel-Gussen, Edna] All Hail The Power Of Jesus' Name [Holden, Oliver] All My Heart This Night Rejoices [Ebeling, Johann Georg] All People That On Earth Do Dwell [Bourgeois, Louis] All Things Bright And Beautiful [Monk, William H.] All Through The Night Alleluja [Mozart, Wolfgang Amadeus] Amazing Grace America America, The Beautiful [Ward, Samuel A.] Anchors Aweigh [Zimmerman, Charles A.] Angels From The Realms Of Glory [Smart, Henry] Angels We Have Heard On High As With Gladness, Men Of Old [Kocher, Konrad] Auld Lang Syne Ave Maria [Bach, Johann Sebastian] [Gounod, Charles] Ave Maria [Schubert, Franz] Away In A Manger [Anon] Away In A Manger [Murray, James R.] Away Rio Battle Hymn Of The Republic Behold That Star Blessed Assurance [Knapp, Phoebe P.] [Crosby, Fanny J.] Blow The Man Down Blow Your Trumpet, Gabriel Bridal Chorus (Lohengrin) [Wagner, Richard] Brightest And Best [Mendelssohn, Felix] But The Lord Is Mindful Of His Own (St. Paul) [Mendelssohn, Felix] Carry Me Back To Old Virginny [Bland, James A.] Cherished Names [Marshall, L.B.] Christ The Lord Is Risen Today Christ Was Born On Christmas Day Christians Awake [Wainwright, John] Columbia, The Gem Of The Ocean [Shaw, David T.] [Becket, Thomas A.] Come, Ye Thankful People, Come [Elvey, George J.] Comrades, Sleep [Marshall, L.B.] Coventry Carol Danny Boy Day Is Dying In The West [Sherwin, William F.] Deep River Faith of Our Fathers [Hemy, Henri F.] Flag OF The Free [Wagner, Richard] [McCaskey, J.P.] Git On Board, Little Children Give Me That Old Time Religion Glorious Things Of Thee Are Spoken [Haydn, Franz Joseph] Go Tell It On The Mountain God Be with You Till We Meet Again [Tomer, William] God Of Our Fathers [Warren, George W.] [Roberts, Daniel C.] God Save America [Lvov, Alexis F.] Good King Wenceslas Hail To The Chief [Sanderson, James] Hail, Columbia [Phile, Philip] Hallelujah Chorus (Messiah) [Handel, George Frideric] Hark! The Herald Angels Sing [Mendelssohn, Felix] He Leadeth Me [Bradbury, William B.] [Gilmore, Joseph] He Shall Feed His Flock (Messiah) [Handel, George Frideric] He's Got The Whole World In His Hand He's Got The Whole World In His Hands Holy, Holy, Holy [Dykes, John B.] [Heber, Reginald] Home Again From A Foreign Shore [Pike, Marshall S.] Home On The Range Home, Sweet Home [Bishop, Henry R.] How Sweet The Name Of Jesus Sounds [Reinagle, Alexander R.] I Know That My Redeemer Liveth (Messiah) [Handel, George Frideric] I Love to Tell the Story [Fischer, William G.] I Need Thee Every Hour [Lowry, Robert] [Hawks, Annie S.] I Saw Three Ships Illinois [Chamberlain, C.H.] In The Sweet By And By [Webster, Joseph P.] [Bennett, Sanford Fillmore] It Came Upon The Midnight Clear [Willis, Richard Storrs] Jerusalem, The Golden [Ewing, Alexander] Jesu, Joy Of Man's Desiring [Bach, Johann Sebastian] Jesus, Lover Of My Soul [Marsh, Simeon B.] [Wesley, Charles] Jesus, Loves Me, This I Know [Bradbury, William B.] Jesus, Savior, Pilot Me [Gould, John E.] Joshua (Fit The Battle Of Jericho) Joshua Fit The Battle Of Jericho Joy To The World Just as I Am [Bradbury, William B.] [Elliott, Charlotte] Just Before The Battle, Mother [Root, George F.] Keep The Home Fires Burning [Novello, Ivor] Kumbayah Lead Us Heavenly Father [Filitz, Friedrich] Lead, Kindly Light [Dykes, John B.] Let My People Go Let Us Break Bread Together Mary Had A Baby Maryland! My Maryland! Meet Me In St. Louis, Louis [Mills, Kerry] Memorial Day [Blamire, Susanna] Michigan, My Michigan [Miessner, W. Otto] My Bonnie Lies Over The Ocean My Faith Looks Up to Thee [Mason, Lowell] [Palmer, Ray] My Heart Ever Faithful [Bach, Johann Sebastian] My Old Kentucky Home [Foster, Stephen] Nearer, My God, To Thee [Mason, Lowell] New England, New England [Stoddard, I.T.] Nobody Knows The Trouble I've Seen O Come All Ye Faithful O Come, O Come Immanuel O Day Of Rest And Gladness O God Our Help In Ages Past [Croft, William] O Holy Night [Adam, Adolphe] O Little Town Of Bethlehem [Redner, Lewis H.] O Thou Who Dryest the Mourner's Tear [Haydn, Franz Joseph] On The Banks Of The Wabash [Dresser, Paul] On Wisconsin [Purdy, W.T.] One More River To Cross One Sweetly Solemn Thought [Ambrose, Robert Steele] Onward, Christian Soldiers [Sullivan, Arthur] Over There [Cohan, George M.] Panis Angelicus [Franck, Cesar] Prayer Of Thanksgiving Prepare Thyself, Zion (Christmas Oratorio) [Bach, Johann Sebastian] Rally Round The Flag [Root, George F.] Red River Valley Ring Out, Wild Bells [Mozart, Wolfgang Amadeus] Rise Up, Shepherd, An' Follow Rise Up, Shepherd, And Follow! Rock Of Ages [Hastings, Thomas] Rocked In The Cradle Of The Deep [Knight, J.P.] Sailing, Sailing [Marks, Godfrey] Shall We Gather At The River [Lowry, Robert] Shall We Gather at the River? [Lowry, Robert] She Wore A Yellow Ribbon [Norton, George A.] She'll Be Coming Round The Mountain Silent Night [Gruber, Franz] Silent Night [Gruber, Franz] [Mohr, Josef] Sometimes I Feel Like A Motherless Chiild Sometimes I Feel Like A Motherless Child Speed Our Republic [Keller, Mathias] Stand Up, Stand Up For Jesus [Webb, George J.] Standin' In The Need Of Prayer Steal Away Steal Away (Steal Away To Jesus) Sweet And Low [Barnby, Sir Joseph] Sweet Hour Of Prayer [Bradbury, William B.] Swing Low, Sweet Chariot Taps Tell Me Why Tenting Tonight [Kittridge, William] The Air Force Hymn [Baker, Henry] The American Flag [Tufts, John W.] The Army Hymn [Baker, Henry] The Caissons Go Rolling Along [Gruber, Edmund L.] The Church's One Foundation [Wesley, Samuel S.] The First Nowell The Girl I Left Behind Me The Holy Babe [Dykes, John B.] The Lord's My Shepherd [Irvine, Jessie S.] The Marine's Hymn The Minstrel Boy The Navy Hymn [Dykes, John B.] The Old Rugged Cross [Bennard, George] The Palms [Faure, Jean-baptiste] The Sailor's Grave The Sidewalks Of New York [Lawlor, Charles] [Blake, James] The Soldier's Farewell [Kinkel, Johanna] The Spacious Firmament On High [Haydn, Franz Joseph] The Stars And Stripes Forever [Sousa, John Philip] The Star-spangled Banner [Smith, John Stafford] The Yellow Rose Of Texas There Are Many Flags in many lands [Howliston, Mary H.] There Is A green Hill Far Away [Stebbins, George C.] There Is A Happy Land [Breedlove, Leonard P.] Tramp, Tramp, Tramp [Root, George F.] Wave, Wave, Wave [Tufts, John W.] Way Down Upon The Swanee River [Foster, Stephen] We Plough The Fields And Scatter [Schulz, Johann Abraham Peter] We Three Kings Of Orient Are [Hopkins, John Henry Jr.] Were You There What A Friend We Have In Jesus [Converse, Charles C.] [Scriven, Joseph] When I Survey The Wondrous Cross [Miller, Edward] When Johnny Comes Marching Home [Gilmore, Patrick S.] When The Saints Go Marching In Whispering Hope [Hawthorne, Alice] Yankee Doodle Yankee Doodle Dandy You're a Grand Old Flag [Cohan, George M.] You're In The Army Now

27.50 EUR - Sold by Woodbrass
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Richard Matteson Jr.: Acoustic Music Source Book: Guitar: Mixed Songbook
Guitar [Sheet music] - Beginner
Mel Bay

Bill Bay asked me to write a follow up book to my last book "The Bluegrass Pi�(+)

Bill Bay asked me to write a follow up book to my last book "The Bluegrass Pickers Tune Book (20233).' If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. The focus of this book 'The Acoustic Source Book' is on roots and old-time music. The book is focused on the time period from late 1800's until 1940's. There are a few songs from The Bluegrass Book that were too important to be left out. I decided notto use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birthof jazz ragtime and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900'sthere were rags blues gospel Tin-Pan Alley jug band spiritual old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana. There are some greatsongs that are popular roots bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.

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Busker'S Fakebk 1001 All-Time Hit Songs Mlc
Chant et Guitare [Sheet music]
Amsco Wise Publications

Par AUTEURS DIVERS. La premi�re collection g�ante de tubes pour musiciens ambula�(+)

Par AUTEURS DIVERS. La premi�re collection g�ante de tubes pour musiciens ambulants. Complet avec bo�tes d'accord de guitare et paroles. Inclus les tubes des Beatles, des chansons d'Elton John, des Bee Gees, d'Abba et d'une centaine d'autres artistes. Reliure � spirales. / R�p International / Recueil / Chant et Guitare

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Duffy-Manning: Manchester Carols (The): Mixed Choir: Vocal Score
Choral SATB
SATB
Faber Music Limited

The Manchester Carols�is an inspired collaboration between composer Sasha Johnso�(+)

The Manchester Carols�is an inspired collaboration between composer Sasha Johnson Manning and Poet Laureate Carol Ann Duffy. A collection of 12 carols linked with a gentle entertaining narration which reshape and modernise the Christmas story. Its creators wanted to write something that is relevant to and reflects modern society and which acknowledges the fact that even though someone might not subscribe to the religion behind the Nativity story they can still appreciate it as an inspiring magical tale. The carols are for everyone believers or not. Duffy uses the Christmas story as a metaphor for human experience giving usup-close and personal insights into the central characters of the nativity – Mary Joseph a newborn baby and a 'golden youth' (aka the Angel Gabriel). As Duffy herself says: 'I think the story is wonderful. There's a lot we can take from it on a human level even if we don't take the divine element.' There are hints too of the darker grittier side of the Nativity story – refugees poverty giving birth on the road; and looking further forward there are hints of Jesus' fate on the cross. These carols were written in Manchester in 2007 and first performed by children from several Manchester schools at The Royal Northern College of Music (and again in 2008). All of us who worked on them – librettist composer artist conductor teachers musicians and singers – live and work in that great city. And so these are and will forever be �The Manchester Carols'.

12.99 GBP - Sold by Musicroom UK

Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Vocal Score
Soprano voice, Piano
Barenreiter

Edited with additional material from the Salzburg version"In Italy nowaday�(+)

Edited with additional material from the Salzburg version"In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers." One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church's vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

7.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Exsultate jubilate K.165: SATB: Score
Choral SATB [Sheet music]
Barenreiter

Edited with additional material from the Salzburg version"In Italy nowaday�(+)

Edited with additional material from the Salzburg version"In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers." One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church's vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

14.50 GBP - Sold by Musicroom UK

Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Part
Barenreiter

Edited with additional material from the Salzburg version"In Italy nowaday�(+)

Edited with additional material from the Salzburg version"In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers." One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church's vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

4.50 GBP - Sold by Musicroom UK

Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Viola: Part
Barenreiter

Edited with additional material from the Salzburg version"In Italy nowaday�(+)

Edited with additional material from the Salzburg version"In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers." One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church's vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

4.50 GBP - Sold by Musicroom UK

Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Cello: Part
Barenreiter

Edited with additional material from the Salzburg version"In Italy nowaday�(+)

Edited with additional material from the Salzburg version"In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers." One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church's vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

4.50 GBP - Sold by Musicroom UK

Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Violin: Part
Barenreiter

Edited with additional material from the Salzburg version"In Italy nowaday�(+)

Edited with additional material from the Salzburg version"In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers." One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church's vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

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Charles E. Ives: March Omega Lambda Chi: Concert Band: Score
Concert band [Sheet music]
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Score-'Down the moving line suddenly came the surging chant:Chi Rho Omega Lambda�(+)

Score-'Down the moving line suddenly came the surging chant:Chi Rho Omega Lambda Chi!We meet tonight to celebrateThe Omega Lambda Chi!'''Omega Lambda Chi' was a fictitious fraternity created by some Yale sophomores in the 1870's. Freshmen were pledged to a non-existent society so they would buy the sophomores cigars and drinks. By the 1880's the name 'Omega Lambda Chi' had become applied to a wild May night of campus festivities. Classes paraded (sometimes with a band) singing shooting firecrackers and cheering the buildings of the Old Campus. Climaxing the rough and tumble evening was the 'Pass of Thermopolae.' In this brutal affair theFreshman class ran the gauntlet through the large stone Phelps Gateway while receiving the blows of the three upper classes. March: Omega Lambda Chi was probably written during Ives' Christmas vacation in 1895 and completed upon his return to school. It bears the title 'March on the air: Omega Lambda Chi 76 South Middle Campus January 4 1896.' The Yale Daily News reports that the ceremony took place that spring (May 18 1896) and that one of Ives' best friends D. C. Twitchell (later his brother-in-law) was one of the Omega Lambda Chi marshals. By 1900 the Omega Lambda Chi had become too dangerous and was outlawed by the faculty. Another Ives composition which was inspired by a Yale festive evening is Calcium Light Night.Charles Ives was a Yale student from 1894-1898. He was a popular figure on campus and was very active in social athletic and musical life. In 1928 Ives made a list of his band music on the back of one of his insurance company calendars. At least ten original band works are thought to have existed; there are numerous others that were band inspired. Only March: Omega Lambda Chi and March: Intercollegiate have been found complete in their band form. The tune 'Omega Lambda Chi' is derived from 'Sailing sailing' found in the first strain. The second strain and trio

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